Not been on the forum for quite a while... mainly because I seem to have managed to get a computer virus when I have visited the site on a couple of occasions. Put me off coming on the site . Seems a bit slow now even.

Maybe just my bad luck ?

Anyway, I am risking it again given the new album is finally here !

Love this track

Combined with Lippy Kids, makes the rest of the album tough to follow .

Anyway, Hi . Good to be back, Hopefully I can stay around without any technical hitches !

Listened to this twice again today.

It's really quite incredible isn't it? The IMAGERY... so alive in so much of their work.

Seriously epic. Beyond exemplary. Listening again already... ;-)

I am absolutely loving this track!
The slow build, the mood-change in the middle and the soaring end...
Woohoo! Goosebumps!

This song is my fave one, it is just the Elbow that I love since 2001, I am so relieved, that this record has again that special Elbow sound that is so hard to describe...

This record is great and easily my fave track on the new album, haunting and with different layers, like early Elbow stuff, atmospheric sound is Elbow at their best

I listened to The Birds 3 times on the way to work, it is now permanently wired inside my head. Possibly one of my favourites songs ever (not just Elbow). My favourite on the album was The Night Will Always Win. The Birds has overtaken now. The album just keeps getting better and better with every listen.

Yeah, for me it's been a slow burner from the off - liked it immediately but now LOVE it - makes sense live even more. Definitely for me, has an 'Any Day Now' vibe running through it.

As I've earlier said - sets the scene brilliantly for the rest of the record.

Couldn't have put it better myself Jones! ha ha!!

Jones that was beautiful!! Love it

This is the one for me so far. (this is only my first day with the album!)

With SSK my initial thoughts on each song formed themselves into what previous Elbow tracks I was reminded of. Now "The Birds" struck me as Ribcage shot through with Hotel Istanbul - the looping then bursting of the former withthe bustling yet grandiose musical scope of the latter. But I saw a comment here (can't remember whose, sorry!) likening it to Newborn... and it sounds heretical but I'm tempted.

This song is enormous, and it may just be a rough patch in life but it just about brought me to tears the first couple of times I listened to it. Guy's voice in the last couple of minutes is just incredible - what a glorious instrument to convey the gorgeous words & deep themes he's drawn up.

What a way to start an album. I remember turning to the missus on first hearing it on the CD's obligatory first playthrough in the car, "Seven minutes...past seven minutes...eight minutes...!" Ever the prog fan, I see Elbow as being the natural successor to Genesis's crown (and, though he'd hate me saying it I'm sure, Guy is the natural successor to Phil Collins in his frontman guise at his best - self-effacing, naturally charming and a perfect communicator). This is progressive music that it's okay to like! Prog rock isn't about weird chord changes, awful tempos, widdly keyboard solos and songs about goblins and jester's tears; it's about being forward-thinking, capturing emotions and pushing boundaries (in my opinion anyway!). It's not self-indulgent and it's not about virtuso playing - which discounts a lot of these bands whose music you can predict before even hearing a note: Spock's Beard, Dream Theatre, Pendragon...all that pish.

The Birds is a long song, but it's as long as it needs to be. It's a well-worn phrase, but "the perfect marriage of words and music" could have been invented for this tune alone.